“Did you ever have the feeling that there is something right behind you? There’s a chill on your neck… A floor creaks in the next room… Something catches your eye. Combining whispers of dread, slivers of Macbeth, dining demons, and murder that may or may not have happened, Apparition is about the feeling that something is coming to get you…and there is NOWHERE TO HIDE.” Theatremania Website

“Three days before his bid for reelection, in the wake of a school shooting in his hometown of Raleigh, NC, a Republican U.S. senator makes an off-the-cuff comment to a blogger that gets leaked on “the Twitter,” calling into question the senator’s stance on guns and God in this political comedy.” Concord Theatricals

“After being pestered by devils for more than half a year, Margery Kempe – new mother, mayor's daughter, and proprietress of a highly profitable beer business – is liberated from her torment by a vision of Jesus Christ in purple robes. Visions are hard to come by, even in 1401. Should we trust the new Margery, with her fasting and her weeping and her chastity fixation, or burn her with the other heretics? Can a woman of insatiable appetites just up an audition for sainthood? Playwright and Obie-winning actor Heidi Schreck conjures a collision of contemporary and medieval imaginations: a very funny, little bit scary new play about faith and its messengers.” Concord Theatricals

Summary: “Hamlet’s a challenge for any actor, but when Jessica is cast as the titular character in a New York production, it sends her into an existential tailspin. It doesn’t help that her acting coach is borderline abusive, or that every Starbucks barista with an MFA tells her she’s too young for the role. Or that she’s somehow managed to make Sir Patrick Stewart her nemesis. Not to mention the fact that she’s a woman. How can Jessica figure out “to be or not to be,” when she can’t even figure out herself? Featuring an all-female cast performing multiple roles, Women Playing Hamlet is rip-roaring fun for Shakespeare fans and haters alike.” Concord Theatricals

Summary: “It's December 2010. Infirm Maxine thinks her daughter is paying Nurse Tina to gently nudge her into the grave before the new year. Maxine thinks Tina's doing this so her daughter doesn't have to pay hefty estate taxes, taxes that take effect on January 1. Nurse Tina adamantly denies Maxine's accusations, but when Maxine offers Tina a portion of her sizable estate on the condition that she lives until the 1st, Tina changes her tune. But of course, the plan doesn't go according to plan.” Concord Theatricals